These are my two favorite shots from Stephen's office at Roman and Williams and I have actually labored over the idea of posting them together. You know why? Because they are both kind of odd in a way. I have been sitting here analyzing why I like them so much and I think it comes down to the negative space in them. Beyond that, I have no idea...I just really like 'em!
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Compositionally they remind me of Diebenkorns, where the painterly interests are pushed to the edge(s) of the painting, leaving an open void to dominate the canvas field.
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